Friday, December 30, 2011

Artists' Book Cornucopia III, Jan 31, 2012

I am pleased to announce that the list of special collections who will be offering purchase awards for this exhibition is growing. Once again I will be awarding an exhibition award (solo Reading Room exhibition in 2013) to one artist in the show. The exhibition will be held April 20 - June 2, 2012 with an entry deadline of January 31, 2012.

Tony White will be jurying this years' entries. Tony White is the Head of the Fine Arts Library at Indiana University Bloomington. He is an independent curator and book artist who has been involved in the field for 20 years. He is a founding board member of the College Book Art Association and founder of the Contemporary Artist’s Books Conference that has been held annually in New York City since 2008. He has served on the editorial board of the Journal of Artist’s Books and currently is Field Editor for Artist’s Books and Books for Artists for the College Art Association’s online reviews journal. His research interests include contemporary artist’s books, print culture, the intersection of craft and contemporary art, and professional issues in art librarianship.

The full prospectus is available via PDF download from Abecedarian Gallery's website (www.abecedariangallery.com), or you can email alicia@abecedariangallery.com to request a copy.

2nd EIBAB EUROPEAN INTERNATIONAL BOOK ART BIENNALE, June 15, 2012

2nd EIBAB EUROPEAN INTERNATIONAL BOOK ART BIENNALE
The EIBAB Biennale subject 2012:

TRANS (FORMS)

"Once upon a time there was a world where writing was unknown. A world different to ours, but nevertheless still human. Everything changed once writing was invented. But, maybe the writing was only revealed to humans and not invented by them. It is sure that, for thousands of years, writing was the secret recipe of spiritual texts, guarded by royalty or the keepers of sacred knowledge. Beyond its content, writing has an exterior, a visual feature. Transposing or “packaging” the idea into text implies an infinite variety of shapes and materials. In this way the writing and the book become an art object. A book is more than the content it holds; its physical structure, and visual impact are also part of it. In some oriental traditions, calligraphy was considered a spiritual pathway.
But what is happening writing today? With the book? Is there still any connection with the primary sense? Does writing have any connection with the human essence nowadays?”

The exhibition of the 2nd European International Book Art Biennale will take place
in August 2012 at ART MUSEUM SATU- MARE, Romania
2013 New York, USA
2013 Krakaw, Poland

Organisers of the festival. Fleiss & East West Artists e. V. Stuttgart,
Museum of Art Satu- Mare,D. Fleiss & East West Artists e. V. Carei, Romania

Author and Curator of the 2nd European International BOOK ART BIENNALE:

Dorothea Fleiss
Email: eibab@web.de

Assistants:Kamila Bednarska, Poland
Email: jakam@wp.pl
Zsuzsa Szemak, Romania
Email: bleco1@yahoo.com

COMPETITION

1.Any book artist from any country can take part in the competition.

2. Up to four artist's books can be submitted by one author/artist or a team.The books should be completed within last two years (2010- 2012) in any technique and belong to the author/artist, art gallery or press.

3. As for the texts not written by the artist we ask to obey the general rules of copyright. The name of a writer (and a translator), the title (and the original title), name of a publisher and year of publishing should be given.

4. The works should be send no later than June 15, 2012 to:
Muzeul de Arta Satu- Mare
European International Book Art Biennale
Piata Libertatii Nr. 21
440014 Satu- Mare
Romania/ EUROPE

E-Mail :muzeu.arta@yahoo.com

5.There are no limitations regarding technique and form, however in case of very complex and unusual works due to material, size or construction the artist is kindly requested to contact the organisers.A submitted work may not be accepted for the following reasons:
Technical difficulties involved exhibiting it.
It may be considered to have possible harmful effects on the audience.

6. The international jury selected by the organisers will review the submissions and choose the works for the EIBAB EHIBITION. The exact date and place is to be determined.
The jury will judge the works and select those ones to be awarded and shown at the exhibition. Decisions of the jury can not be appealed.

7. The prizes will be awarded by the Jury.

8. The costs of sending/ shipping the books are on the artist.
Please write the value for the customs max. 30 EUR / 30 USD or the text
NOT FOR SALE! NOT COMMERCIALE VALUE!
The organisers are not responsible of any damages caused by the conditions of transportation or careless packing by the artist.
The books should have labels with artist's name, title and notice “European Book Art Biennale”.

9. ENTRY FEES: 50 EURO
Bank transfers should be made till 15th June 2012
to:
dorothea fleiss & east west artists Association Carei
Banc: BANCA BCR- CareiIBAN (International Bank Account Number): RO17RNC80222108088590001
SIFT/BIC (Bank Identification Code) RNCBROBU 300311016 BCR

Subject should be: EIBAB 2012
Or by Western Union to Kamila Bednarska (Name)

The entry fee is non-refundable.

10.The books chosen to be shown at the Biennale will be shown at various exhibitions in Hungary, Poland, USA etc.
The participants agree that images of their works may be used for the promotion of the European International Book Art Biennale

11.
Pictures of works and any other documents attached to the entry form will be kept in the competition archives and not returned to the artist.
Artists may choose to donate their work itself to the Biennale Collection.
If they wish to have their work returned, artists are responsible for covering the cost of return shipping themselves.

12. The organiser publishes and sends a catalogue to all the contributing artists.
For any questions please contact:

Kamila Bednarska
Email: jakam@wp.pl
Zsuzsa Szemak
Email: bleco1@yahoo.com

http://www.eibab-blogspot.com/


LINKS:
http://www.kuenstlerbuecher.com/biennalen.htmhttp://
www.forumbookart.com/index.php?article_id=332&clang=0
http://www.kuenstlerbuecher.com/mostre.php
http://www.artgallery.gov.my
--
Dorothea Fleiss, Stuttgart

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Sunday, December 18, 2011

Book live!, abstracts due 1/15

Book live!
International symposium and related live events at London South Bank
University
8th - 9th June 2012

a collaboration between the Centre for Media and Cultural Research (CMCR) at LSBU and bookRoom Research Cluster at UCA Farnham.

The event will bring together theorists, researchers and practitioners to stimulate a dialogue across disciplines on the ability of the book to keep up with digital culture and the emergence of new modes of writing, of photographing, of reading, or archiving and of disseminating on the page work. The purpose of this conference is to examine the current transforming and expanding of the book rather than its virtual disintegration.

The conference will include international guest speakers from the broader world of publishing, photography and experimental writing as well as short presentations of book works and a series of live experimental and durational readings. The two keynote speakers are Joan Fontcuberta (photographer, artist and all-round critic of contemporary culture from Barcelona) and Sharon Helgason Gallagher (founder and director of D.A.P and ARTBOOK in New York). There will be a performance of the full twelve hours of John Cage's Empty Words (first published in 1979 by Wesleyan University Press) by Sylvia Alexandra Schimag (Germany), coinciding with the release of the complete recording by Editions Wandelweiser.

CALL FOR PAPER AND PRESENTATION max 25 minutes
Call for papers, presentations, panels and readings dealing with (but not limited to) the following themes and research questions;

- How has digital technology allowed the book to expand its boundaries, both in space and time?
- Innovative convergence of traditional craft skills and advanced technologies in the making, reading, archiving or disseminating of books.
- Interdisciplinary experiments that addresses the cultural translations between traditional skills and advanced technologies.
- Explorations that reconsider the contemporary or future role of the book socially, culturally, politically.
- Innovative or disastrous explorations and transgressions of ebook readers.
- What do we gain and lose with on screen Œreading¹?
- How is conventional publishing adapting to fast changing digital economy?
- What has become of collecting in our digital culture?
- What is knowledge now that computers can provide and keep everything?
- High culture versus digital culture

Beyond the conference we will be bringing together papers and other contributions as a publication in its own right; an interesting survey of current thinking and innovative practice informed by both the themes and the findings of the conference. Edited and designed by bookRoom press, and published by RGAP.

Deadline for abstracts: 15th january 2011 - Decision sent before 15th february
Please send abstracts to Emmanuelle Waeckerle (ewaeckerle@ucreative.ac.uk)
Submissions from doctoral students and early-career postdoctoral researchers
are encouraged, as well as submissions from non-academic publishers, collectors, artists, writers and thinkers.

Conference Co-Chairs
Richard Sawdon Smith
Emmanuelle Waeckerlé

DOWNLOAD PDF WITH FULL RATIONALE and SUBMISSION GUIDELINES:
http://www.msdm.org.uk/photobook/wp-content/uploads/2011/12/Book-live-call-f
or-papers.pdf


Best regards,
paula
--
paula roush
London South Bank University
Arts & Media Department
103 Borough Road (room B462a)
London SE10AA
07711483319