Monday, February 17, 2014

3/1/14: UCDA Design Education Summit

National UCDA Design Education Summit
May 19-20, 2014
The Madison Concourse Hotel, Madison Wisconsin
 
Design educators and graduate students—you are invited and encouraged to participate in the ninth annual National UCDA Design Education Summit May 19-20, 2014
 
This national conference for design educators, chairs, and students will include general session speakers, panel discussions, and paper and poster presentations selected from abstracts submitted through a peer-reviewed process. Proposals on any design-related topics are welcome
 
This conference is open to UCDA members and non-members, design educators and practitioners, and students. More details and registration information will be posted soon.
 
CALL FOR PAPERS 
The National UCDA Design Education Summit is seeking proposals from design educators or practitioners that address issues in design education and research for 30 minute presentations as breakout sessions to be held during the conference. There may be more than one presenter during each session. 
 
Accepted papers will also be included online in the conference proceedings. 
 
Paper/Presentation Abstract Submission Procedure

  • Paper/Presentation abstracts (a maximum of 300 words) must be submitted in PDF format only.
  • Your name and name of institution (if any) should NOT appear on the abstract as we wish for the judging to be blind.
  • Include your status (grad student, tenure track faculty, tenured faculty, visiting faculty, practicing designer, other) on the PDF file.
  • Title your PDF file as an abbreviation of your paper title and use the file extension .pdf (example: titlename.pdf).
  • Include in your email your name, institution, institution type (2-year, 4-year, public, private, art school, etc.)
  • Submission Deadline: March 1.
  • Notification of acceptance will be made via email by March 28.
  • If selected, the complete paper will be requested for inclusion in the conference proceedings.

    Send Paper/Presentation Abstract directly to the UCDA Home Office at: abstract@ucda.com

3/14/14 at midnight: Book Power Redux

Exhibition on view at 23 Sandy Gallery: May 30 - July 26, 2014; then traveling to Collins Memorial Library, University of Puget Sound: Mid-August to October 15, 2014  

23 Sandy Gallery and the University of Puget Sound invite artists to participate in Book Power Redux, a juried exhibition of book art focusing on social and political issues. 

THEME – Book Power Redux is seeking works addressing social and political issues. Artist books can be a powerful vehicle for social change and activism. For this show we have a strong interest in works that shine a light on some of the most vital issues of our day: race, diversity, equality, justice, bullying, poverty, civil rights, war and more. 

Book artists have a unique opportunity given our accessible, multi-dimensional, multi-media format to go beyond just making things to making things happen. The current social and political issues listed above are but a few topics concerned artists can use to raise consciousness, call for justice or provoke action. Let's use our creative powers to solve the problems of the world. 

MEDIA – This exhibit is open to book and paper arts related works. Artist books, sculptural books, book objects, altered books, zines, broadsides and print on demand artist books are all encouraged. 

CONFERENCE CONFLUENCE – Book Power Redux will travel to Collins Memorial Library at the University of Puget Sound, and will be on display during a national conference focused on Race and Pedagogy. Details on the conference can be found on the conference web site here. 

AWARDS – Three artists will receive Best of Show Awards, winners are selected upon installation of the show. In addition, we will also award the Library Purchase Prize. The winning work or works will be purchased by the gallery and donated to the artist books collection at the University of Puget Sound. 

JURYING – This exhibit will be juried by Jane Carlin, MalPina Chan and Laura Russell. 

Jane Carlin is currently the Library Director at the Collins Memorial Library at the University of Puget Sound. Prior to joining Puget Sound, Jane was the senior librarian for the College of Design, Architecture, Art, and Planning Library and the University of Cincinnati as well as held posts at Oxford Brooks University in England, University of Texas at Arlington, and the Herron School of Art. Jane has long been an advocate of the book. Her graduate thesis, A History of Art Book Publishing in Great Britain, served as the foundation for many programs and classes she has taught on the art and history of the books. In 2008, Jane brought the book arts to the Collins Library and has worked with community members to form Puget Sound Book Artists, an organization dedicated to supporting and promoting the book arts. Jane is the curator of numerous exhibits at Collins and currently serves as the Vice-Chair of the organization. She is also an active member of the Book Club of Washington and is Chair-Elect of the Orbis Cascade Alliance, a network of 37 libraries serving Washington, Oregon and Idaho. 

MalPina Chan was born in California and received her BFA from Earlham College in Richmond, Indiana. Her portfolio includes works on paper, glass, mixed-media, and artist books and can be found in collections and exhibitions across the country. She curated both The Book as Art: Beyond Words and The Book as Art: Hand2Hand at Seattle’s Columbia City Gallery. MalPina’s work is included in 1,000 Artists' Books: Exploring the Book as Art and 500 Handmade Books Volume 2. Her Knock on Wood book was included in SUPERSTITION XIII at San Francisco Center for the Book. MalPina’s projects also include independent curatorial work, teaching workshops and lecturing. She is a board member of the Puget Sound Book Artist organization and has curated two of the members’ annual exhibits. She lives and works in Olympia, Washington. 

Laura Russell is the owner and director of 23 Sandy Gallery and is also a photographer and book artist. She creates hand-bound, limited-edition artist books that incorporate photographs of our urban landscape and tell a story about our culture and our communities. She has participated in national and international book arts and fine art exhibitions and her books are collected by individual collectors and major collections at museums, libraries, universities and corporations. 

DATES TO REMEMBER
JANUARY 14, 2014 - Submission Period Opens, Online Entry Form Available MARCH 14, 2014 at Midnight, Pacific Time - Deadline for Submissions
MARCH 28, 2014 - Announcement of Jury Results Sent Via Email
MAY 23, 2014 - Artwork Due at Gallery
MAY 30, 2014 - Exhibition Opens at 23 Sandy Gallery
MAY 31, 2014 - Artists Reception at 23 Sandy Gallery, 4-6:00 p.m.
JULY 26, 2014 - Exhibition Closes at 23 Sandy
MID-AUGUST, 2014 - Final Dates TBD. Exhibition Opens at the University of Puget sound
SEPTEMBER 25-27, 2014 - Race & Pedagogy National Conference at the University of Puget Sound
OCTOBER 15, 2014 - Exhibition closes at University of Puget Sound


More info: http://www.23sandy.com/bookpower2014/callforentries.html?utm_content=Steiner&utm_source=VerticalResponse&utm_medium=Email&utm_term=A%20full%20prospectus%20for%20Book%20Power%20Redux%20can%20be%20found%20here.&utm_campaign=23%20Sandy%20Gallery%20Newslettercontent

2/22/14: Artists' Book Cornucopia V

Artists' Book Cornucopia is an annual juried exhibition held at Abecedarian Gallery each spring. The exhibition is open to any form of artists' publication with the exception of self-published on demand bookworks. Regardless of the juror's decision, all submissions are reviewed by gallery staff with an eye towards inclusion in future curated and invitiational exhibitions. A printable version of these guidelines can be downloaded as a PDF here. 

Eligibility and Media 
This exhibition is open to any artist 18 years of age or older. If you live outside the United States, please contact gallery for additional submission guidelines. 

Eligible are any artist bookworks other than SPOD (Self Published On Demand such as Lulu, Blurb and so forth). Books may be editioned or unique, sculptural or more traditionally bound, interactive or passive. Books that measure more than 18 inches (closed) or 48 inches (open) in any dimension are ineligible.

A maximum of two artworks may be submitted per artist. If your work requires special installation, please inquire before submitting your entry to be certain the gallery will accommodate entry requirements. 

Please read these details: The entry fee for this exhibit is $18 for the first entry, $12 per additional entry (up to 2 total). Please send gallery quality images without background clutter or text. DO NOT send composite images or images with embedded text.If your work is accepted for exhibition, the images you enter with as well as the text you provide will be used for print & digital publicity. Images not up to gallery quality will be excluded from publicity, including online & print catalogs.

It is expected that submitting artists are not violating any stated or implied relationship with another gallery or dealer by submitting work for this exhibiton and that the artist/creator of the work is not in violation of any copyright laws.

Please note that you will not be able to change the information, including the price, after the submission process. 

Jurors & Awards 
Entries will be juried by Luise Poulton, Managing Curator, Rare Books & Special Collections at the J. Willard Marriot Library, University of Utah. Up to $1500 in purchase and exhibition awards will be awarded at gallery director’s discretion. First prize is a solo show in Abecedarian Gallery’s Reading Room Spring 2015. 

Sales 
It is expected that all work exhibited be for sale. Sales will be encouraged. Abecedarian Gallery retains 40% on all sales. The prices you submit during the entry process are the retail prices the gallery will adhere to throughout the duration of the exhibition. 

Catalogs
There will be a print and online color catalog in conjunction with the exhibition. Print catalogs will be for sale during and after the exhibition. The online catalog will remain online during and after the exhibition

Accepted Entries 
Works must be delivered ready for installation/display. Gallery reserves the right to not exhibit any work not accurately represented by the digital entry, that arrives damaged, is not properly prepared for exhibition or is deemed too fragile for effective display. 

Shipping 
All shipping & shipping insurance costs to & from the gallery are the responsibility of the artist. Shipping instructions will be sent to accepted artists at time of notification of acceptance. 

Agreement 
Submission of entry constitutes agreement to all conditions in this Prospectus. Please do not submit works unless you have first read these details. 

More info: http://www.abecedariangallery.com/assets/content_files/opportunities/ABC%20prospectus.html
Contact Alicia with any questions. alicia@abecedariangallery.com